Cream - Sunshine of Your Love

Cream were a 1960s British rock supergroup power trio consisting of bassist/singer Jack Bruce, drummer Ginger Baker, and guitarist/singer Eric Clapton. Their sound was characterised by a hybrid of blues rock, hard rock and psychedelic rock, combining psychedelia-themed lyrics, Clapton's blues guitar playing, Bruce's powerful, lashing voice and prominent bass playing and Baker's jazz-influenced drumming. The group's third album, Wheels of Fire, was the world's first platinum-selling double album. The band is widely regarded as being the world's first successful supergroup. In their career, they sold over 15 million albums worldwide.[8] Their music included songs based on traditional blues such as "Crossroads" and "Spoonful", and modern blues such as "Born Under a Bad Sign", as well as more eccentric songs such as "Strange Brew", "Tales of Brave Ulysses" and "Toad".

The band's biggest hits are "I Feel Free" (UK, number 11), "Sunshine of Your Love" (US, number 5), "White Room" (US, number 6), "Crossroads" (US, number 28), and "Badge" (UK, number 18). The band made a significant impact on the popular music of the time, and, along with Jimi Hendrix, and Terry Kath of Chicago, popularised the use of the wah-wah pedal. They provided a heavy yet technically proficient musical theme that foreshadowed and influenced the emergence of British bands such as Led Zeppelin, The Jeff Beck Group and Black Sabbath in the late 1960s and the early 1970s. The band's live performances influenced progressive rock acts such as Rush. The band was inducted into the Rock and Roll Hall of Fame in 1993. They were included in both Rolling Stone and VH1's lists of the "100 Greatest Artists of All Time," at number 67 and 61 respectively. They were also ranked number 16 on VH1's "100 Greatest Artists of Hard Rock".

Cream - White Room

Cream were a 1960s British rock supergroup power trio consisting of bassist/singer Jack Bruce, drummer Ginger Baker, and guitarist/singer Eric Clapton. Their sound was characterised by a hybrid of blues rock, hard rock and psychedelic rock, combining psychedelia-themed lyrics, Clapton's blues guitar playing, Bruce's powerful, lashing voice and prominent bass playing and Baker's jazz-influenced drumming. The group's third album, Wheels of Fire, was the world's first platinum-selling double album. The band is widely regarded as being the world's first successful supergroup. In their career, they sold over 15 million albums worldwide.[8] Their music included songs based on traditional blues such as "Crossroads" and "Spoonful", and modern blues such as "Born Under a Bad Sign", as well as more eccentric songs such as "Strange Brew", "Tales of Brave Ulysses" and "Toad".

The band's biggest hits are "I Feel Free" (UK, number 11), "Sunshine of Your Love" (US, number 5), "White Room" (US, number 6), "Crossroads" (US, number 28), and "Badge" (UK, number 18). The band made a significant impact on the popular music of the time, and, along with Jimi Hendrix, and Terry Kath of Chicago, popularised the use of the wah-wah pedal. They provided a heavy yet technically proficient musical theme that foreshadowed and influenced the emergence of British bands such as Led Zeppelin, The Jeff Beck Group and Black Sabbath in the late 1960s and the early 1970s. The band's live performances influenced progressive rock acts such as Rush. The band was inducted into the Rock and Roll Hall of Fame in 1993. They were included in both Rolling Stone and VH1's lists of the "100 Greatest Artists of All Time," at number 67 and 61 respectively. They were also ranked number 16 on VH1's "100 Greatest Artists of Hard Rock".

Cream - Rollin' And Tumblin'

Cream performing at the Tulip Bulb Auction Hall in Spalding. Monday 29th May 1967 . Rollin' And Tumblin'.

"Rollin' and Tumblin'" is a blues song that has been recorded hundreds of times by various artists. Considered as a traditional, it has been recorded with different lyrics and titles. Authorship is most often attributed to Hambone Willie Newbern.
The song may bear relation to "Minglewood Blues", recorded January 30, 1928 by Gus Cannon's Jug Stompers. Parts of the tune and harmonica accompaniment are similar to "Rollin' and Tumblin'". The earliest recorded version is "Roll and Tumble Blues" by Hambone Willie Newbern (Okeh 8679), recorded March 14, 1929. Other bluesmen recorded their own versions—such as "If I Had Possession Over Judgment Day" by Robert Johnson in 1936, "Brownsville Blues" and "The Girl I Love, She Got Long Curly Hair" by Sleepy John Estes, "Goin' Back to Memphis" by Sunnyland Slim, "Banty Blues" by Charley Patton, and "Rollin' Blues" by John Lee Hooker.
The best known version became Muddy Waters' "Rolling and Tumbling", with Ernest "Big" Crawford on bass, for the Chess brothers' Aristocrat label in 1950. Leonard Chess insisted that Waters record the song less than a month after Waters had recorded a version for the rival Parkway label, featuring his band mates Little Walter and Baby Face Leroy Foster. The Parkway label credits the Baby Face Leroy Trio, with vocals by Leroy, and Muddy Waters as the songwriter. Elmore James recorded the song as "Rollin' and Tumblin'" in 1960, with himself credited as author.
In 1961, Howlin' Wolf recorded "Down in the Bottom", which employed a new set of lyrics and was credited to Willie Dixon. Delta bluesman Johnny Shines recorded a version called "Red Sun" (1975), with the traditional music but different, prison-themed lyrics. Mississippi Hill Country bluesman R. L. Burnside also recorded several versions of what he titled "Rollin' Tumblin'".